Art Bell opens with an interview program focused on the mysterious and unusual, including an examination of phenomena such as Bigfoot and the ancient crystal skull. Linda Howe discusses an alleged Bigfoot recording from central Utah, where a listener experienced similar sounds and sightings. The episode also features an interview with Joann Parks, owner of an ancient crystal skull, and Star Johnson Moser, who has conducted significant research on the skull. They delve into the history and significance of the crystal skull, exploring its mysterious origins and purported powers.
The discussion transitions to a detailed account of various Bigfoot encounters, including a family’s face-to-face experience with the creature and its impact on local wildlife. Linda recounts another notable case involving a Bigfoot creature causing disturbances on a Colorado ranch, which was investigated by scientists and law enforcement.
Art continues discussing a case from Cascade County, Montana, where a rancher encountered an eight-foot-tall creature with reddish-brown hair and glowing red eyes. The rancher shot at the Bigfoot, which disappeared in a flash of light. This incident was officially recorded and occurred alongside numerous reports of animal mutilations and strange lights. Art and Linda ponder the possibility of these creatures being shape-shifters or linked to advanced technology, such as holograms or disc crafts. The episode plays a chilling Bigfoot recording, eliciting strong reactions from listeners.
The conversation shifts to a recent interview with Ray Santilli about the Roswell incident, where Santilli admits his commercial motives while working on a film about Elvis Presley. Art finds this admission credible and discusses publishing Santilli’s photos in his newsletter. The photos depict a creature that appears somewhat human but distinctly alien, sparking intrigue and debate.
The show transitions to the topic of crystal skulls, with Linda explaining that the most famous one was found in Guatemala. This skull, made from a single piece of quartz crystal, has intricately machined features, including moving teeth. The mystery lies in whether it could be a modern creation or an artifact from a pre-industrial age, given the advanced craftsmanship.
The conversation continues with Art and Linda discussing the eerie precision of the crystal skull, including its moving teeth and lifelike features, which defy modern explanation. Linda invites listeners to share reports on Bigfoot, crop circles, and other unexplained phenomena, providing her contact details. Art mentions a Senate bill related to a two-tiered money system and promotes North American Trading for more information.
Art transitions to discussing the Chantilly alien autopsy photos, offering enhanced versions on their bulletin board system and in their newsletter. He provides details on how to access these photos, either through downloading them or subscribing to the newsletter.
Returning to the crystal skull, Art introduces Joann and Star, who explain that the skull was studied by a forensic anthropologist and found to be anatomically correct, including features like the pineal gland and medulla oblongata. They emphasize that the skull’s craftsmanship is beyond known ancient techniques, suggesting it wasn’t created by the Mayans despite being used in their ceremonies. The inclusions and quartz quality further support this mystery.
Art speaks with Joann Parks and Star Johnson about the crystal skull known as Max, emphasizing its transformative impact on their lives. Star passionately asserts that Max is genuine, describing profound personal changes since Max entered her life. They discuss the spiritual significance of the skull, suggesting that its power is a gift from God, much like preachers and sacred texts. Star shares a channeled message from Max, emphasizing themes of love, enlightenment, and unity.
Art mentions a movie about a healer, drawing parallels to the skepticism and fear that often accompany unexplained powers. Joann and Star explain that Max brings peace and healing to those who connect with it, despite some people’s fear and limitations. They discuss the historical symbolism of skulls, which have been revered as sources of knowledge rather than evil.
A fax question about the crystal skull’s appearance leads to a comparison with a skull featured in Arthur C. Clarke’s “Mysterious World.” Joann clarifies that Max is not clear like the British Museum skull but has undergone many earth changes, reflecting its ancient and mystical origins.
Art and his guests continue discussing the crystal skull, Max, focusing on its inclusions and the mystery surrounding its creation. Star emphasizes that Max’s unique features and the experiences people have with it cannot be explained by modern science. Joann explains that she does not charge for people to visit Max, believing the experience should be personal and accessible to all.
Max is said to bring healing and enlightenment, with many visitors reporting profound personal changes and a sense of peace. Joann and Star describe Max as a tool for opening the mind and heart to new possibilities, with each person’s experience being unique. Joann recounts her initial uncertainty about Max and how it took years to understand its significance and potential.
The conversation includes anecdotes about people with serious ailments seeking Max’s help, including a child who experienced remission from cancer after touching the skull. Star adds that Max is believed to be programmed with ancient wisdom, facilitating spiritual healing and aligning individuals with divine energy. They compare this to other healing practices like acupuncture and chiropractic, noting that all aim to restore balance and connect people to a greater force.
The discussion with Joann and Star continues, focusing on the mysterious healing powers of the crystal skull, Max. Callers from various locations share their experiences and ask questions about the skull’s capabilities. Joann reiterates that Max’s influence is deeply personal, with many reporting physical and spiritual healing, but without documented medical proof. Star discusses the feelings of heat and energy people experience when near Max, drawing parallels to other healing practices.
Art brings up the subject of different types of crystal skulls, with Joann mentioning that while Max is made of clear quartz, there are others made from amethyst, rose quartz, and other materials. She shares insights from Native American elders who believe these skulls originate from the star people and are used in sacred ceremonies.
A caller from Honolulu inquires about the materials of different skulls, and Joann explains the variety of crystal types used. They also touch on indigenous beliefs regarding the skulls. Another caller asks about Max’s ability to help people with agoraphobia, to which Joann and Star respond that Max’s effects are personal and vary widely, sometimes even causing people to see colors or feel vibrations.
Art and his guests, Joann and Star, discuss the potential of Max, the crystal skull, to provide insights into the future. Joann clarifies that Max is not used as a crystal ball but instead helps people connect with their spiritual side. Star believes Max shows them the direction humanity is moving towards, emphasizing love, awareness, and oneness. They discuss the concept of ascension to higher dimensions and how focusing on positive energies can influence the future.
Star acknowledges the tumultuous state of the world, including natural disasters and societal issues, but maintains that these are part of a larger purification process. The idea is that focusing on love and unity can mitigate negative outcomes. Art presses on the pragmatic view of the current global situation, prompting Star to explain that the world’s current mess is a result of long-held denials and unaddressed issues now coming to the surface for healing.
A fax from Anchorage describes a powerful experience with a crystal skull in London, highlighting the profound energy and consciousness imbued in it. Art questions whether the power lies in Max itself or in people’s belief in Max. Joann and Star suggest that while belief plays a significant role, there might indeed be an inherent power in the skull.
A caller from Reno recalls meeting a psychic named Nick Nolte who directed them to seek out the skull. Art and his guests discuss the authenticity and impact of Max, with Joann affirming that Max does not function like a crystal ball but instead helps people connect with their spiritual and emotional selves. Star emphasizes that Max’s influence encourages love and higher consciousness.
They touch on the controversial subject of Filipino healers, with some being exposed as frauds, which unfortunately casts doubt on genuine healers. Star points out that the public is quick to dismiss entire practices based on isolated incidents of fraud. This leads to a broader discussion about belief and skepticism in spiritual healing.
Art brings up a provocative statement by John Lear, who advised against going towards the light after death, which contrasts with common spiritual advice. Star and Joann express their belief in following the light, reflecting their positive outlook.
A caller asks about setting up a mental link with Max, and Joann acknowledges the possibility, sharing that people often report delayed reactions to the skull’s energy. Many visitors initially feel nothing but later experience significant personal changes.
Joann and Star discuss the phenomenon of people feeling drawn to Max, sometimes experiencing a delayed reaction to its presence. They mention the idea of bringing all ancient crystal skulls together, which has been proposed but is hindered by logistical and security challenges. The notion is that such a gathering could generate immense energy and light.
A caller from Illinois asks about the origins of the crystal skulls and whether they might be self-portraits or representations of an ideal form. Joann clarifies that the skulls, including Max, are believed by some to be non-terrestrial, with unique features like moving or detachable mandibles. The conversation touches on the idea that these skulls might hold secrets and keys to mysteries, linking them to ancient practices and symbolism, such as those found in Egyptology and Masonic traditions.
Art and his guests discuss the various images people claim to see within the skull, from pyramids to extraterrestrial figures, suggesting that Max is programmed to resonate with different people in unique ways. Star notes that Max’s features, such as its nose indentures, resemble Mayan architecture, adding to the skull’s enigmatic qualities.
As the discussion wraps up, Art thanks Joann and Star for their insights into the crystal skull, Max. They reiterate the significant impact Max has on those who encounter it, emphasizing that its influence is both profound and personal. Joann and Star express gratitude for the opportunity to share their experiences and encourage listeners to connect with Max if they feel drawn to it.
Art reminds listeners about the upcoming Roswell photographs to be featured in their newsletter and the importance of subscribing soon to receive them. He plans to include a good photograph of Max in the newsletter and on the bulletin board. Art provides contact information for the newsletter and bulletin board before signing off, thanking the networks that make “Dreamland” possible and wishing everyone a good night.