Art begins the show by introducing his guests, Sean David Morton and a mysterious figure named Victor. Sean Morton is described as an investigator and prophet with extensive knowledge about Area 51. Victor allegedly smuggled a video from Area 51 showing an interrogation of an alien. Art directs listeners to his website to view photographs related to this video, emphasizing that they were taken from the footage smuggled out of Area 51.
Sean Morton discusses his background, mentioning his early prophetic dreams, particularly about astronaut Gus Grissom, and his time at a Tibetan monastery where he honed his abilities. He worked as a psychic counselor and later started publishing the Delphi Associates Newsletter to share his predictions, which included accurately predicting earthquakes in California.
Sean Morton explains how he uses maps and projects energy to predict earthquakes. He describes the Northridge quake as unusual, resembling a bomb explosion rather than a typical quake. He suggests it might have been artificially induced to relieve pressure on the San Andreas Fault. Morton describes tracking low-frequency wave towers and using concentric circles on maps to pinpoint potential quake locations. He claims there is evidence supporting the idea that the Northridge quake was man-made. Additionally, he recounts that paramedics informed him of emergency measures taken days before the quake and notes unusual occurrences, such as helicopters spraying the population with malathion after the quake. Morton believes the spraying was to prevent riots by calming the population. He further discusses the involvement of the US Navy and the United States Geological Survey (USGS) in setting off explosions and testing submarines, which he suspects were efforts to manage seismic activity and prevent larger disasters.
Sean Morton continues discussing the potential artificial induction of the Northridge quake, mentioning the involvement of the USGS and the Navy. He recalls a series of controlled explosions along the Camry Fault Line, intended to create shockwaves, and describes the unusual characteristics of the quake, such as its inconsistent intensity across different areas. Morton points out discrepancies in the reported magnitude of the quake, suggesting it was underreported to avoid triggering insurance payouts and tax relief for affected residents.
Morton also mentions how his predictions align with locations of extra low-frequency wave towers, noting similar quakes in Northern California and Flagstaff, Arizona. Art transitions to discussing Victor and upcoming photographs related to Area 51, and mentions Stan Dale’s alarming weather predictions.
Sean Morton describes the efforts to correct a technical issue with Victor’s crew, who were given an incorrect call-in number. During the wait, Art shifts the focus back to the mysterious video. Morton describes the first photograph released on Art’s website, showing a creature being interrogated. The creature is around 3.5 feet tall with a large head, black eyes, no nose, and a long chin. It wears a grayish tunic, and the video shows it struggling to keep its head up, indicating a weak neck.
In the footage, the room is dark, likely due to the creature’s sensitivity to light. A heart monitor is visible, displaying unusual movements. The video features a timecode and a DNI burn-in. The creature appears to have a seizure, with foam emerging from its mouth. Its arms do not move, possibly restrained. Two doctors, who enter the frame with a crash cart, are visible in the second photograph, which shows them attending to the creature during its distress.
Sean Morton continues detailing the second photograph, which shows the alien creature having a seizure. A doctor is seen wiping the creature’s mouth while another clears its air passage and checks its eyes and mouth with a penlight. The video, which caused significant emotional reactions, depicts the doctors appearing to help rather than harm the creature. Notable figures like Major Bob Dean and Whitley Strieber had strong responses, with Dean being moved to tears and Strieber initially refusing to view it due to its impact.
Art mentions Whitley’s belief that the alien might have been mistreated, but Sean insists there was no rough treatment visible in the video. Victor had not suggested any mistreatment either. Sean explains that the alien seemed to have trouble breathing our air and speculates on potential internal problems due to foaming at the mouth. He describes the creature’s appearance in detail, noting the color differences in its head and potential contusions.
Sean shares accounts from Area 51, where these “gourd-headed” beings, nicknamed “kids” or “munchkins,” were seen alongside other races. These descriptions match the creature in the video, with notable features like long chins and large heads. He also mentions seeing other beings, including tall blond men, muscular beings resembling wrestlers, and humanoid-reptilian hybrids. Sean emphasizes that the creature’s movements in the video seemed puppet-like, adding to its eerie nature.
Sean Morton explains how the creature’s large head compared to its body mass suggests it developed under different gravity and atmospheric conditions. This could explain the creature’s difficulty breathing our air. He notes that many rumors and eyewitness accounts from Area 51 suggest the military had interactions with such beings. If Victor’s video is genuine, it would be a significant confirmation of these claims.
Morton touches on the Roswell crash, highlighting discrepancies between different reported alien species. He theorizes that microwave grids and radar fields in New Mexico might have caused UFO crashes, and mentions captured German technology that resembled these crafts. Art Bell brings up the STS-48 video, which shows an object intercepting a UFO, as evidence of advanced technology. Morton agrees, adding that the video reveals multiple UFOs and docking maneuvers, suggesting a “Star Wars” type operation.
Art reveals he has seen the STS-80 video, which is even more compelling. They discuss the possibility that Area 51 has moved, with Morton detailing his experiences from 1991 to 1993. He explains that by late 1993, flights and technology were moved from Area 51, and the hangars at Papoose Lake were dismantled. Some craft were relocated to Tucson and others to a location near Washington, D.C.
Sean Morton discusses how Area 51’s operations moved and changed by late 1993, leading to a decrease in saucer testing. He mentions that media attention surged once the secretive activities diminished. Morton recalls a video from 1990 showing diamond-shaped craft over McCarran Airport in Las Vegas, which resembled the craft seen over Phoenix and Prescott, Arizona.
Art Bell asks Morton about the continued existence of Area 51, despite rumors of its relocation. Morton confirms that Area 51 remains active, with thousands of personnel and significant research and development activities. He also explains that Popular Mechanics’ article referenced other locations like Area 6413 in White Sands, used for missile testing and new space shuttle programs.
The show resumes with Art preparing for Victor’s appearance. Victor, using a voice changer, explains he is close to making his last public pronouncement. He expresses frustration over a mistake with the phone number provided. Victor and Morton engage in a conversation about discrepancies in Morton’s newsletter regarding Victor’s statements. Victor clarifies he never claimed involvement in the downloading of the video but referred to it in his notes.
Victor clarifies several points about the tape and his involvement. He refutes Sean Morton’s earlier statements about how the tape was obtained, explaining that he was the active agent in removing the data, which was originally digital, from Area 51. Victor confirms the tape was converted to VHS later. He avoids confirming whether he was an employee of Area 51 but admits to being physically present there.
Victor states the alien had been at the base for approximately 20 months before the footage was filmed in January 1991. He believes the government claims to have shot down the alien’s craft, although he personally doubts the government’s capability to do so. Victor suggests the alien’s mistreatment was due to a lack of knowledge and helplessness rather than intentional cruelty.
Victor comments on the chaos and paranoia within the government programs dealing with aliens, mentioning that many involved are poorly qualified. He hints at responding to statements made by another guest, Mr. Rivers, on Art Bell’s program, which he found problematic.
Victor elaborates on the statements made in his earlier interview, correcting misinformation and explaining the biological uniqueness of the aliens. He describes the beings as biologically inert, having eliminated microbial life, which contrasts with Earth’s reliance on microbes for health. Victor notes the advanced technology of these beings, which exceeds human understanding, and discusses the government’s ongoing struggle to manage and understand their physiology.
During the break, Art Bell prepares to continue the conversation with Victor and Sean David Morton. Victor emphasizes the alien’s telepathic abilities, which have been well-documented. He agrees with Whitley Strieber’s assertion that the aliens communicate telepathically. Victor points out the inconsistency in the government’s handling of telepathic communication, noting that many so-called telepaths recruited by the government are unreliable.
Victor explains that while there has been no vocal communication from the aliens, they occasionally use gestures that mimic human behaviors. He questions the effectiveness of the government’s communication efforts, suggesting that despite having these beings for decades, the government has not achieved significant breakthroughs in understanding or utilizing their technology.
Victor clarifies more details about the alien interrogation video and his involvement. He explains that the room was kept dark due to the alien’s sensitivity to light, although the alien itself was bathed in light, which he cannot fully explain. The physician seen in the video with his finger in the alien’s mouth was attempting to help during a seizure, which indicates the alien’s health was severely compromised.
Victor confirms that he now believes the alien in the video, and likely all aliens in government custody, are dead. He discusses the broader implications of their treatment, suggesting that the aliens might have been engineering their own treatment and presenting themselves in ways we don’t fully understand. He hints that the aliens’ actions and statements might have a purpose unknown to us, potentially implying they have a deeper understanding of us than we do of them.
When asked about the aliens’ agenda and origins, Victor expresses his belief that the aliens have been here before and are influencing human consciousness in some overarching way, though he does not use the term “architect” for their role in human development.
Victor also decodes the inscriptions on the video, explaining that DNI stands for Department of Naval Intelligence and that the other numbers are part of an old logging system for war documentation adapted for planetary defense.
Regarding the video’s quality, Victor explains that the fogginess is due to it being a VHS copy.
Victor reveals his fear for his life but notes that he hasn’t personally experienced harassment, attributing this to his efforts to maintain a low profile. He acknowledges that bringing out such information is dangerous due to the government’s potential loss of control and resulting viciousness. Sean Morton asks Victor about the lack of sound on the tape, to which Victor responds that he cannot provide a satisfactory answer for this or for the dark environment the alien was kept in.
Victor confirms he has seen the creature in person but refuses to provide details, citing concerns for his safety. He describes his emotional response to being in the creature’s presence as one of confusion and anger, feeling that the experience was utterly foreign and overwhelming. Victor explains that his motivation for releasing the tape was to inform the public and to validate the experiences of those who have encountered these beings but struggle to convince others of their reality. He believes the aliens cannot be harmed in any meaningful way and that their appearances in various circumstances are incomprehensible.
Victor discusses the structure and layout of Area 51 and the S4 facility. He confirms that Groom Dry Lake is relatively open, but S4, located about ten miles south, has more secretive and secure operations, including underground levels. S4 has four underground levels dedicated to back-engineering programs for saucers and other related activities. Victor explains that the aliens breathe oxygen, allowing them to survive on Earth, but this does not fully explain the alien’s seizure in the video.
Victor further elaborates on the biological nature of the aliens, suggesting they are only symbolically biological. Their organs function differently than those of terrestrial life forms, leading to confusion and theories about their true nature. He draws an analogy to modern technology being incomprehensible to people from a century ago, emphasizing the advanced and mysterious nature of alien technology.
Regarding the alien’s distress, Victor mentions that there is no effective treatment for the issues they face on Earth. He reflects on the symbolic parallels between the aliens and the story of Jesus, indicating that the aliens might be making themselves vulnerable for a purpose beyond human understanding. Victor admits to seeing another being of the same species but does not provide further details to avoid compromising his anonymity.
Victor discusses the origin of the aliens, suggesting they come from another dimension rather than from outer space. He believes their place is contiguous to ours but not directly accessible. Victor does not think the government plans to publicly reveal information about Area 51 soon, suggesting that the facility’s operations are moving northeast to Utah, while public tours might be allowed to portray it as a relic of Cold War operations.
Regarding Bob Lazar’s claims of working on alien craft at Area S4, Victor confirms that Lazar’s information is largely correct but does not explicitly state Lazar’s involvement. He affirms that the craft were once at Area S4 but suggests they might be moved in the future, possibly through underground tunnels, although he has no direct evidence of such tunnels.
Victor comments on the Popular Mechanics story about Area 51 moving, indicating that while some operations are relocating, the craft are still at S4. He believes no one has flown the craft since early 1992, attributing sightings to wishful thinking. When asked about meals, Victor hints at an interesting story but avoids specifics to protect his identity. He mentions that levels three and four of the facility lack a cafeteria, implying unusual arrangements for personnel.
Victor describes the security at Area 51 and S4, noting that Groom Dry Lake’s security is relatively low-tech, with badges, fingerprint readers, and retinal scans. He explains that the transfer of materials is strictly controlled, yet personal mementos have occasionally made their way in, suggesting potential security exploits. Victor finds this situation amusing, illustrating the government’s failure to control everything strictly.
When asked about the hangars at S4, Victor mentions that the staff is bussed in and out daily, with military personnel sleeping at the base only at Groom Lake. He avoids specifying his role and relationship with the personnel there, maintaining his anonymity. Sean David Morton probes about Bob Lazar’s claims, and Victor acknowledges that Lazar’s information is largely correct but refrains from confirming his own involvement.
Victor suggests that another opportunity to bring out more information or video would require a moment of confusion and indecision on the part of the authorities, similar to the circumstances that allowed the current clip to be smuggled out. He indicates that such opportunities are rare and depend on the facility being in turmoil.
Victor explains that the opportunity to smuggle the video out arose due to bureaucratic and physical confusion at the facility. He denies having any other videos, emphasizing that the one he took was the only piece he could manage. During the commercial break, Sean David Morton and Victor discussed the alien autopsy, with Victor expressing skepticism about its authenticity since the beings in the autopsy did not resemble any he had seen documented.
Victor addresses those who believe the video is a hoax, suggesting they study it before forming conclusions. He admits that if identified, he could face severe consequences, potentially even death. Victor reflects on how his views and intentions have changed since he first brought the tape to Rocket, dealing with unexpected confusion and changes in his life.
Sean Morton inquires about the alien’s physical characteristics, confirming it was weak but not tied down, and had four fingers with a different pivot point than humans. Morton questions the direction and implications of all this information, expressing frustration that advanced technology seen at Area 51 has not been publicly disclosed. Victor hints that while this technology might be in use, it has not been presented openly to the world.
Victor explains that the decision to take the video to Rocket Video was initially motivated by a need for financial security, despite knowing the risks. He quickly realized that maintaining his privacy was difficult, as most people were more interested in publicity. Rocket Video offered him a deal that allowed him to remain anonymous, although they kept pushing him to make more public statements.
Victor confirms that there is no additional video beyond what was already released. He expresses contempt for Robert Lazar, feeling that Lazar’s grandstanding put him at greater risk. Victor hopes to avoid a similar fate and plans to fade into obscurity, feeling that the whole experience has not turned out as expected.
Art Bell acknowledges Victor’s contribution and wishes him a safe and healthy life. As the interview concludes, Art reflects on the significance of the interview, noting that Victor seemed genuinely scared and that they received more information than expected. He emphasizes the importance of the interview as a milestone in broadcasting.
Sean David Morton remains with Art, who plans to continue the discussion, giving his impressions of the interview and the insights gained from Victor’s revelations.
Art Bell reflects on the interview with Victor, noting that some listeners pointed out similarities between Victor’s voice and Whitley Strieber’s, though he clarifies that he isn’t suggesting they are the same person. Art mentions that David John Oates, known for reverse speech analysis, will review the interview for further insights.
Art and Sean David Morton discuss the details of the interview, agreeing that Victor seemed more credible as the conversation progressed. They dismiss the possibility of Victor being Whitley Strieber, noting differences in knowledge and body type, as well as Whitley’s willingness to participate in the interview.
Sean highlights Victor’s detailed descriptions of the facilities and operations at Area 51 and S4, which matched known information. They speculate on the profound impact of Victor’s experiences with the beings, suggesting that such encounters might alter one’s perspective and manner of speaking. Sean also praises Victor’s sincerity when discussing the broader implications and the idea that the beings might be willingly presenting themselves for a higher purpose.
Sean David Morton and Art Bell continue to reflect on Victor’s interview. They discuss the idea that the aliens might be ambassadors or beings that willingly gave themselves up for a noble purpose to increase understanding. Victor’s rejection of the common notion that these beings are from Zeta Reticuli or outer space, instead suggesting they might be from another dimension or even the future, adds complexity to the narrative.
Sean finds it interesting that Victor emphasized the aliens’ long history with Earth, suggesting they are indigenous to the planet. This leads to the possibility that they are ultra-terrestrials, beings from Earth but from an alternate dimension or future timeline.
Art recounts his conversation with Terence McKenna about time travel, where McKenna suggested that time travelers would only appear after time travel is invented, appearing all at once. Art and Sean both find Victor’s answers well thought out, particularly when discussing the larger cosmic aspects, which seemed to relax Victor and lead to more detailed information.
Sean highlights some specific details Victor mentioned, such as the structure of S4 with its five levels, including three levels for saucers and technology and two for extraterrestrials. Sean compares this to Bob Lazar’s accounts, noting similarities in the descriptions of the aliens’ puppet-like movements. He regrets not asking Victor about certain security personnel and what warnings the beings might have for humanity.
Art mentions that Victor considered the information from supposed telepaths as suspect, implying that any communication from the aliens would be unreliable and almost conjectural.
Art Bell and Sean David Morton continue discussing the Victor interview, noting the erasure of audio to protect the identities of the individuals present. They also clarify that the doctors in the video wore surgical masks, which might have caused confusion about intentional face erasure.
The conversation shifts to the upcoming availability of the video, expected in a few weeks, hosted by Steven Williams. The video will include a history of extraterrestrials and various related theories, such as the alleged meeting between Dwight Eisenhower and extraterrestrials at Edwards Air Force Base, known as Project Sigma. This project supposedly involved an exchange of knowledge and technology for the allowance of certain abductions under specific conditions.
Sean highlights that the beings in Victor’s video do not match the usual extraterrestrial descriptions, suggesting they might be indigenous to Earth, possibly from another dimension or future timeline. This aligns with theories of ultra-terrestrials who have been part of human history and mythology.
Art transitions to other topics, mentioning his book, “The Quickening,” and its themes of rapid changes in various human endeavors. He plans to discuss these changes with Sean, noting that guests from different backgrounds have indicated a significant event approaching, accelerating in an exponential manner.
Art Bell and Sean David Morton discuss predictions for the future, particularly focusing on the year 2012, which many believe to be a pivotal year. Sean elaborates on the scientific reasons behind this belief, mentioning that atomic testing since 1945 has caused fluctuations in the Earth’s electromagnetic field. These fluctuations have become so severe that compasses and electronic equipment now require frequent recalibration.
Sean refers to a military white paper called “The Flight of the Key Bird,” which tracked the magnetic fields of the North and South Poles using the last B29 bomber. The study found that atomic testing had not only affected the electromagnetic field but also knocked the planet slightly out of kilter, causing tectonic stresses. This effect is akin to a “tennis shoe in a washing machine,” where the planet’s rotation and the precession of the equinoxes are moving in opposite directions, creating massive strain.
The greatest fear, according to Sean, is that electromagnetic north and true north might meet, potentially causing an electromagnetic pole shift around 2012 to 2013. This shift could significantly disrupt the Schumann resonance, the Earth’s basic electromagnetic frequency, which has already jumped from 7.83 Hz to nearly 9.1 Hz. Such a shift could lead to widespread electrical blackouts and possibly wipe the human mind clean, resetting electromagnetic engrams in the brain and causing mass memory loss.
Sean also contrasts Tesla’s vision of free, low-frequency energy with the current harmful artificial electrical system set at 60 cycles, established by JP Morgan and Thomas Edison for profit. He suggests that an electromagnetic pole shift could drastically alter life on Earth, potentially causing a complete reset of human consciousness.
Sean David Morton expands on his predictions for the future, particularly focusing on the year 2012. He describes a technique taught by his teachers in Nepal, similar to past life regression but involving post-life progression and soul transference, allowing him to experience the future approximately 100 years ahead. He notes that future societies look back at the late 20th century with some mystery due to the loss of digital records caused by electromagnetic flux and EMPs, which could virtually wipe out our culture.
Sean explains that electromagnetic pole shifts have occurred approximately 150 times over the last few million years, based on core samples. He predicts that significant changes will begin in September of this year, 1998, due to unusual cycles and prophetic time coding related to the Great Pyramid of Giza and biblical references. He ties this to the birth of Jesus Christ and suggests that September 1998 marks the beginning of the next age, coinciding with the end of a seven-year tribulation cycle for the United States, which he dates from the adoption of the Bill of Rights in 1791.
Sean forecasts an increase in extreme weather events, particularly hurricanes and tornadoes, starting earlier than usual, linked to shifts in the Earth’s electromagnetic fields. He mentions the Jupiter Effect, resulting from the Shoemaker-Levy 9 comet impacts on Jupiter in 1994, predicting that the gravitational shockwave will reach Earth around 2001, potentially causing environmental disruptions.
Sean also finds significance in the year 1998, noting that when divided by three, it results in 666, and predicts substantial political and economic collapses. He expects Bill Clinton’s presidency to be notably impacted by these events, marking a period of considerable upheaval.
Sean David Morton predicts that Bill Clinton will try to save his political career from impeachment by escalating the war in Bosnia, Serbia, and Herzegovina. He foresees a substantial war between 1998 and 2002, involving the Islamic Jihad, a coalition of Northern African Islamic countries. He also predicts a revitalized and belligerent Russia following the death of Boris Yeltsin, with a figure named Zarif Nastie taking control.
Sean outlines significant dates based on the Great Pyramid’s prophecy, suggesting that powerful spiritual influences began on November 30, 1985, leading to a period of enlightenment. This period culminates on February 21, 1999, which he interprets as the beginning of the “Kingdom of Heaven on Earth.” He predicts a new philosophy emerging around technology, mind, and spirit, leading to the “cleansing of the tabernacle” over 40 years until a second messianic figure emerges around 2034 and takes control by 2039.
Art Bell acknowledges the wealth of material discussed and prepares to open the phone lines for listener reactions. He mentions his book, “The Quickening,” which documents the rapid changes and events leading to these predicted outcomes. Art and Sean discuss the alignment of these predictions with other prophetic insights, such as those from Ed Ames and Terence McKenna, both pointing to a significant rebirth or transformation around 2012.
Sean David Morton provides details about the Delphi Associates Newsletter, which features content about Victor and includes photographs and drawings related to the alien interview. He gives the contact number and address for the newsletter and describes other available materials, such as a UFO video compilation.
A caller from Los Angeles asks Sean for his opinion on the origin of the Oklahoma City bombing. Sean suggests it was an inside job, possibly a government sting operation gone wrong, and predicts Timothy McVeigh will be found not guilty. He believes the government knew about the bombing in advance but did nothing to stop it, similar to the World Trade Center bombing.
Another caller accuses Sean of being a false prophet, citing biblical teachings that only the Father knows the time of the rapture and the end of the world. Sean counters by questioning the belief in the rapture, suggesting it is a myth from the Scofield Bible. The conversation becomes contentious, with the caller calling Sean an idiot. Art Bell intervenes, highlighting the mean-spirited nature of the criticism.
Sean comments on the behavior of some Christians who hurl insults, questioning the sincerity of their beliefs and attitudes.
Sean David Morton addresses the religious criticisms and accusations of being a false prophet. He explains that his goal is to inform people based on his observations and track record of accurate predictions. He cites the Delphi Associates Newsletter, which documents his predictions, and notes that his success rate is substantial, with only a few misses out of many predictions.
Sean provides examples of his correct predictions, including the death of Deng Xiaoping, the eruption of Mount Popocatepetl, and cloning becoming an issue in the UK. He acknowledges that some of his timelines and findings from studying the Great Pyramid align with, but also sometimes contradict, fundamentalist Christian views. He emphasizes that his intention is not to convince anyone but to share his insights.
A caller then discusses a group of teens hacking into a Department of the Interior server to access land allocation reports in Montana. They stumbled upon documents referencing a planned raid on Rancho Santa Fe involving weapons and illegal chemicals. Art Bell encourages the caller to send the documents for verification.
Another caller from Victoria, British Columbia, asks Sean about the potential appearance of a messianic figure and whether it could be a false messiah. This question touches on Sean’s earlier discussion of a messianic figure predicted to emerge between 2034 and 2039.
Sean David Morton continues to discuss his projections, emphasizing the rise of significant figures. He mentions a powerful Islamic figure called Jamal, “the Beautiful One,” who unites Islamic countries and leads to a major conflict with the West between 2002 and 2003. Sean also predicts a false messianic figure, Lord Maitreya, whom Tibetan Buddhists expect around the year 2489. He explains that we are entering a 500-year messianic age starting February 21, 1999, with multiple messianic figures born at planetary chakra points, including Giza, Stonehenge, and Machu Picchu.
Sean clarifies that the next messianic figure will be born near Stonehenge or Ireland between 2034 and 2039. He discusses the prophecies of the Great Pyramid and the Book of Revelation, suggesting that the true millennium begins in the year 3000. He also touches on the potential rebuilding of the Second Temple in Jerusalem and the use of the Ark of the Covenant.
He further explains Area 51’s codename “Dreamland,” referring to a massive supercomputer called the “beast system,” which stands for Battle Engagement Area Simulation and Tracking. This system is part of a spy base controlling significant data and electronics.
Art Bell then asks Sean to describe upcoming technologies. Sean notes that while he knows about advanced technologies through his contacts and personal experiences, the real question is what will be politically feasible to release.
Sean David Morton elaborates on upcoming technologies, highlighting IBM’s development of digital teleportation. He explains that IBM has advertised their engineers are working on a system to digitally teleport inorganic matter from one place to another, which involves breaking it down into energy and reconstructing it elsewhere. This process is highly memory-intensive and expensive but represents a significant leap in technology.
Sean also mentions a Canadian researcher using sonic wands to levitate heavy objects, like a 16-pound cannonball, demonstrating advancements in manipulating sound and mass. He emphasizes that scientists are breaking away from the establishment, sharing advanced technologies with the world, which aligns with the broader “quickening” of mind and spirit.
Art Bell reads a listener’s comment, suggesting that Victor’s interview seemed genuine due to his careful word selection and appropriate emotional expression. Sean agrees that while there is chaos and compartmentalization within places like Area 51, it’s not as organized or powerful as some might think. He explains that private companies like Wackenhut controlled parts of Area 51, often without informing the Air Force of their activities.
Sean continues to describe the technological advancements being introduced, including massively increased telecommunications systems and quantum computers capable of storing data on an atomic level. He briefly touches on the “beast” supercomputer, a space-based system for surveillance and reconnaissance, with the eventual goal of tracking everything from vehicles to people through implanted chips.
Sean David Morton continues discussing advanced technologies, mentioning the development of chips for a global positioning system, which aligns with the “mark of the beast” described in the Book of Revelation. He predicts that these chips, which might leak power supplies into the bloodstream, could cause skin diseases similar to leprosy.
A caller challenges Sean to provide specific predictions for the next six months. Sean predicts another eruption of Mount Popocatepetl in Mexico around mid to late August and a significant earthquake in Mexico City between late September and early October. He also foresees a substantial earthquake in northern Japan, which may cause one of the islands north of Hokkaido to submerge. Sean mentions potential earthquake activity in Pennsylvania, particularly in the northern and western regions.
He predicts that 1998 will mark the beginning of significant changes in the United States, particularly in its economic systems. He believes the stock market will reach 8000 before readjusting and anticipates the unraveling of the Federal Reserve System and the Internal Revenue Service within the next year or so. Sean also forecasts a series of six hurricanes hitting Florida earlier than usual, causing significant damage due to high winds.
The caller requests a specific date for the island submergence in Japan. Sean explains that he typically publishes dates in his newsletter, as predictions become clearer closer to the event. He provides a target window of late August to early September for the earthquake near Hokkaido.
Sean David Morton responds to a caller from San Joaquin Valley who mentions that an additional second will be added to the atomic clock this year, reflecting the Earth’s slowing rotation. Sean agrees that this makes sense given the planet’s increased wobble.
Another caller from Michigan, excited to speak with Art Bell, references a book titled “Nothing in This Book is True, But it’s Exactly How Things Are” by Bob Frissell, which discusses sacred geometry and connects various theories. Art suggests that Frissell could be a good guest on the show.
A caller from Anchorage, Alaska, asks about Sean’s prediction of a messianic figure returning in 2039 and the potential impact of asteroids in 2012. Sean explains that in 2012, a meteor is expected to graze the Earth’s atmosphere, possibly causing it to explode and create a shower of smaller meteorites. He references prophecies within the Great Pyramid that describe a “river of fire” in 2012, which could be interpreted as a meteor shower. Sean also mentions a meteor strike near Greenland in 2027 and suggests that by 2075, the world will be a wonderful place to live.
As the show concludes, Sean provides contact information for the Delphi Associates Newsletter and expresses gratitude for being on the program. Art Bell informs listeners that the entire program, including the interview with Victor and the segment with Sean David Morton, is available as a five-hour tape. He also promotes his book “The Quickening,” which documents the rapid changes occurring in the world.