Art Bell begins the broadcast of “Coast to Coast AM” from June 12, 1997, greeting his audience from the high desert of the American Southwest. He mentions potential internet difficulties due to severe weather in Denver affecting satellite transmissions but assures radio listeners of uninterrupted service. Art announces the show’s focus on crop circles and introduces his guest, Doug Ruby, author of “The Gift: Crop Circles Deciphered.” Art recounts receiving an intriguing fax about a new crop circle at Stonehenge, described as the “Tree of Life.” This synchronicity is highlighted as Doug joins the show to discuss his book and experiences. Art explains the process of obtaining a photograph of the crop circle and directing listeners to the relevant webpage. In a promotional segment, Art encourages listeners to join the Coast Insider’s Club for access to archived shows and special content. He addresses a caller’s concern about future privacy, expressing optimism for eventual widespread awareness and change. As the show continues, Art holds up the Stonehenge crop circle photo to the live studio camera.
Art encourages listeners to visit the show’s website to view high-quality photographs taken in his studio, including images of the Stonehenge crop circle. He introduces Doug Ruby, who shares a synchronistic moment of receiving a letter from a fan just before Art’s call. Doug, a commercial pilot, explains the challenges pilots face when discussing extraterrestrial topics due to airline policies. He recounts his career, which began in the Air Force, and how he transitioned to commercial aviation. Despite common assumptions, pilots rarely see crop circles from the air due to altitude. Doug describes the latest crop circle at Stonehenge, depicting it as a crystalline structure with six sides and spokes, resembling a snowflake but more intricate. He speculates that magnetic arrangements beneath the Earth’s surface could create such patterns, though his book “The Gift” offers a different interpretation.
Doug Ruby elaborates on his interpretation of crop circles, asserting that they are blueprints for the power plants of spaceships. He describes how specific harmonic frequencies energize magnets to create the patterns seen in crop circles. Doug explains that his theories are based on years of research and a deep understanding of these formations, which he believes are messages from a higher intelligence. He recounts how the 1990 and 1991 crop circles, initially dismissed as hoaxes, intrigued him and led him to decipher their meanings. Doug uses an analogy of dolphin trainers and their rapport with dolphins to explain how communication with extraterrestrial intelligence might be established. He suggests that understanding crop circles requires focusing on simple formations before moving to more complex ones. Art Bell expresses amazement at Doug’s insights and prepares to take a break, reminding listeners of the synchronicity of discussing a new Stonehenge crop circle with an expert who claims to have deciphered them.
Art Bell returns to the show, emphasizing the importance of simplicity in deciphering crop circles. He shares a humorous fax about NASA’s development of a million-dollar pen for space while the Soviet Union opted for a pencil, highlighting the effectiveness of simple solutions. Art continues his conversation with Doug Ruby, who explains his method of interpreting crop circles by starting with the simplest formations. Doug describes how he recreated a crop circle with interrupted rings using cardboard, discovering that spinning it revealed whole rings. This simple experiment suggested that crop circles are meant to be spun to uncover hidden messages. Doug further explores more complex formations, finding that spinning them also reveals new patterns, indicating a deliberate design meant to convey information through motion.
Doug Ruby explains the simplicity of his method for spinning crop circles to reveal hidden messages. He describes creating a spinning device from a box, an electric fan motor, plastic tubing, and ball bearings, allowing him to adjust the RPMs with a fan rheostat. His initial cardboard models often fell apart, prompting him to switch to wood. Doug shares his experience with the 1990 pictograms, starting with the Barbury Castle formation. By cutting out the shapes and attaching them to his spinning device, he found that rotating the parts at 90-degree angles revealed new structures. When he combined different formations, such as those at Barbury Castle and Crawley, they formed three-dimensional shapes resembling small ships.
Doug offers to share his method with listeners by sending detailed instructions and diagrams, encouraging them to create their own spinning crop circle models to communicate with extraterrestrials. He emphasizes that this gift is from the crop circle creators, not just from him, allowing anyone interested in the unknown to engage with these formations.
Doug Ruby continues to elaborate on how crop circles, when spun, reveal specific harmonics that correspond to parts of a spaceship’s power plant. Art Bell notes that the central design of crop circles suggests they are meant to be spun. Doug describes how understanding the geometry of crop circles can help in identifying the required frequencies to recreate the patterns using iron dust and magnets. He asserts that crop circles are intended to guide us in building a spaceship, offering detailed instructions through their formations. Doug’s book details these processes, converting crop circles into a manual for constructing and operating a saucer-shaped ship, covering aspects like ascent, descent, and hovering.
Art suggests Doug create a video demonstrating this process and converting it into a digital AVI file for people to download and watch. Doug agrees this could help illustrate the concepts more effectively. As the show prepares to welcome more stations, Art plans to have Doug explain his methods again for new listeners.
Art Bell introduces new listeners joining the show, emphasizing the significance of Doug Ruby’s work on deciphering crop circles. Doug, a commercial pilot, was contacted by Art after a listener’s recommendation, leading to a serendipitous connection as a new crop circle was discovered at Stonehenge. Art recounts how his webmaster, Keith, quickly retrieved the image of this crop circle, which Doug identifies as part of a spaceship’s propulsion system. Doug explains that crop circles are a gift, meant to be spun to reveal hidden messages. By starting with simple formations and gradually understanding their geometries and harmonics, Doug has deciphered crop circles as blueprints for constructing a spaceship. His book, “The Gift: The Crop Circles Deciphered,” details this process.
Doug uses an analogy of dolphin training to illustrate how simple commands evolve into complex communication, similar to how understanding crop circles progresses from basic to intricate designs. Art and Doug discuss how spinning crop circles at specific RPMs reveals new patterns, indicating that the circles are meant to convey information through motion. Doug’s approach involves creating models of crop circles and spinning them to decipher their meanings, showing that these formations are intentionally designed to communicate advanced knowledge.
Doug Ruby delves into the process of deciphering crop circles, describing how spinning them at specific speeds reveals three-dimensional shapes and fields around the formations, providing insights that aren’t visible when the circles are stationary. He explains that since 1990, crop circles have proliferated, particularly in Great Britain, near ancient megalithic sites like Stonehenge. Doug theorizes that these locations are significant due to their historical and geometric connections, suggesting that crop circles use sacred geometry to generate energy.
Doug shares that his journey into crop circle research began in late 1993, driven by a sudden, intense compulsion to explore them. This urge led him to a bookstore, where he found a single book on crop circles that ignited his ongoing investigation. He also mentions the challenge of balancing this obsession with his personal life, hinting at the strain it placed on his relationship with his partner.
Doug Ruby recounts how he was intensely driven to focus on crop circles, to the point of nearly not flying for his job during early 1994. He felt inexplicably compelled to spend all his time on this research. Despite the challenges, he decided to self-publish his book “The Gift: The Crop Circles Deciphered” to maintain control over the content. Doug describes a serendipitous meeting with a carpenter named Al, who helped him create wooden models of the crop circles. Al’s immediate understanding and support further motivated Doug.
Doug managed to find a publisher through a series of coincidences, leading to a close-knit team that helped bring his book to life. Despite the difficulties of marketing a self-published book, it gained some recognition through niche magazines and distributors. Art Bell expresses amazement at Doug’s clear explanation that crop circles are essentially construction manuals for building a spaceship, something no one else had convincingly communicated before.
Art Bell reintroduces Doug Ruby, highlighting how Doug took a leave of absence from his job to decipher crop circles. A listener’s fax notes that many information-imparting devices, like tape recorders and CDs, involve spinning, suggesting crop circles should be spun to reveal their messages. Doug explains how he first decided to spin crop circles. Inspired by the simplicity of training dolphins, Doug started with the simplest crop circle formations and experimented with spinning them using buttons and dowels attached to cardboard models.
Through this method, Doug discovered that spinning these models at the right speed revealed new patterns and information, leading him to build a spinning machine for more complex formations. He describes how larger pictograms, like the one recently discovered at Stonehenge, must be viewed from an aerial perspective to be fully understood, as their size and complexity cannot be comprehended from the ground. Doug estimates that aerial photographs of crop circles are typically taken from altitudes of 400 to 500 feet.
Doug Ruby continues discussing his method of deciphering crop circles by spinning them. He explains that larger pictograms, when rotated and assembled correctly, form three-dimensional models resembling ships. By spinning these models, Doug observed that spheres around the model created fields, which appeared almost electromagnetic in nature. This discovery was particularly striking with early crop circles from 1990 and 1991.
Doug mentions that crop circles have evolved since then, with more recent formations focusing on aspects like biology, astronomy, and communication, but primarily continuing to provide details about the spaceship and its power plant. These newer formations include complex fractal geometries, such as the Julia Set and other large patterns, which still relate to the ship’s power system.
Art Bell and Doug discuss the idea that crop circles might be teaching us how to harness free energy, similar to concepts like zero-point energy or hyperdimensional physics. Doug explains that these energy sources are omnipresent but undetectable due to their nature. He suggests that crop circles might offer solutions for controlling these energies, such as using crystal rods as regulators.
Doug describes the latest crop circle, a crystalline structure, which he interprets as part of this ongoing instruction. By using magnets and iron dust to replicate the formation’s harmonic frequency, one can visually match the pattern in the pan to the crop circle, demonstrating the intended energy configuration.
Doug Ruby elaborates on how crop circles provide frequencies and harmonics necessary to utilize a power plant based on spinning geometry, which generates energy without combustion. This energy, often referred to as free energy or zero-point energy, is present all around us. The crop circles offer instructions on harnessing this energy, revealing a power plant that could potentially supply power to an entire city.
Addressing why extraterrestrials don’t simply land and provide detailed plans, Doug explains that crop circles are a way to gradually raise human knowledge and consciousness. By starting with simple formations, akin to training dolphins, they aim to ease humanity into understanding complex concepts. This gradual approach respects the planet, as evidenced by the untouched condition of the crops involved in these formations.
Art Bell emphasizes the profound impact of Doug’s insights, reiterating that spinning crop circles reveals their true purpose as construction manuals for spaceships and power plants. This understanding aligns with various energy concepts discussed on the show, such as zero-point energy.
rt Bell continues the broadcast by promoting the Coast Insider Club, which allows listeners to access archived shows and special features. Art expresses a strong belief that Doug Ruby has truly figured out the meaning of crop circles, describing them as messages that need to be spun to be understood. He then introduces Richard Hoagland, a well-known science advisor, who joins the conversation to support Doug’s findings.
Richard praises Doug for his work and emphasizes that the principles Doug discovered apply not just to building ships, but to a wide range of technologies, potentially even affecting entire planets. He notes that these energy mechanisms can revolutionize our understanding and usage of energy, aligning with recent discussions about free energy technologies capable of drastically reducing radioactivity.
Richard appreciates the democratic nature of the crop circle messages, highlighting that understanding them requires active participation from humanity, contrasting sharply with the secrecy and fear often associated with UFO phenomena.
Art Bell continues the discussion with Doug Ruby and Richard Hoagland, exploring the implications of deciphering crop circles. A listener suggests that crop circles could be a cosmic IQ test for humanity, rewarding us with interstellar propulsion knowledge if we succeed. Richard expands on this idea, explaining that understanding crop circles could be crucial for our future. He emphasizes the importance of humanity working to understand these messages, rather than receiving them passively.
Doug highlights the patience and respect shown by the creators of crop circles, contrasting it with the secrecy surrounding UFO phenomena. He notes the artistic and respectful nature of crop circles, which don’t harm the environment. Richard adds that crop circles’ geometry echoes patterns found in artifacts on Mars and the Moon, suggesting a consistent message across different phenomena.
Richard praises Doug’s breakthrough in understanding that crop circles need to be spun and viewed in three dimensions. He compares this to understanding the geometry of ruins on Mars, revealing a deeper connection between these phenomena. Doug explains that the crop circles replicate natural processes, such as the orbits of planets, in a synthetic form, indicating an advanced understanding of physics.
Richard Hoagland and Doug Ruby discuss the connections between crop circles, Cydonia, and other cosmic phenomena, emphasizing the significance of the geometric patterns found in each. Richard announces a major upcoming breakthrough related to NASA, teasing a significant reveal.
Doug answers listener questions about alternative methods for spinning crop circle models, suggesting that while a variable speed drill could be used, it would require stabilization. He confirms that crop circles can be animated on a computer screen, though achieving sufficient speed can be challenging without specialized hardware. Doug mentions previous successful attempts to animate crop circles using software, underscoring the importance of digital tools in his research.
Art Bell raises the idea that humanity might be on a timeline, accelerating toward a significant event, a concept Doug agrees with. Doug suggests that these crop circles are part of a broader revelation, intended to raise human consciousness. He believes that actively engaging with these formations and inviting the beings who created them could lead to a transformative experience for humanity.
Art Bell questions Doug Ruby about why an airline pilot would be chosen to decipher crop circles. Doug speculates that his ability to see in three dimensions and his background in aviation, which involves understanding complex spatial orientations, may have contributed. He mentions that the latter half of his book, “The Gift: The Crop Circles Deciphered,” functions as a flight manual explaining how the saucer operates.
Art and Doug provide details on how listeners can obtain their respective books. Art’s book, “The Quickening,” can be ordered by calling 1-800-864-7991, while Doug’s book can be ordered through Lunar Publications at 1-800-624-0401 or via fax at 407-799-1942. Doug reassures that his publisher can handle the anticipated increase in orders.
The show then takes a call from Alan in Waco, Texas, who draws a parallel between Doug’s findings and Carl Sagan’s book “Contact.” Doug agrees, emphasizing that extraterrestrial contact is occurring through crop circles, which are often overlooked despite being in plain sight. He encourages listeners to visit crop circle sites for an extraordinary experience, noting the powerful energies felt at places like Stonehenge.
Doug Ruby shares his experience of feeling the energies within crop circles, describing a powerful visit to a newly formed crop circle in England, near the ruins of a historic castle. He mentions that dowsing rods reacted strongly to the energy in the crop circle, indicating the presence of an energy barrier. Doug suggests that crop circles are formed rapidly by an ultrasound frequency, possibly in the microwave range, and this energy lingers in the fields.
Doug recounts an incident from the previous year where a pilot observed a large crop circle formation appearing within 45 minutes. This aligns with other eyewitness reports of crop circles forming quickly. Art Bell highlights a new crop circle near Stonehenge, pointing out tire tracks in the field that suggest the farmer unknowingly drove over it, which Doug explains as tramlines used for irrigation.
The show then takes a call from Dan in Virginia, who suggests that Doug’s discoveries go beyond a new power system and may hold keys to unlocking human consciousness. Doug agrees, noting that crop circles affect us on a subconscious level and mentioning the work of Robert Morning Sky, who ties crop circles to Hopi prophecies.
Doug Ruby shares how his interest in crop circles began in early 1994. Despite the challenges, he found support among fellow pilots, who often discuss such topics privately. Another caller, Steven from Victoria, praises Doug for his unique perspective as a pilot, suggesting that his role as a “guardian angel” for his passengers and the planet has positioned him to see the need for change and to understand the crop circle messages.
Doug agrees, emphasizing his humble approach and the absence of ego in his work. The conversation shifts to the sight of Comet Hale-Bopp, with Doug describing the awe it inspired among pilots and passengers. He recounts how pilots would occasionally turn off the cabin lights and make turns so passengers could get a better view of the comet, adding a touch of wonder to their flights.
The show takes another call from Dave in Puyallup, Washington, who questions how this technology will be accessible to the general public and not just the elite. Art Bell expands on this, asking if it’s possible that others have already deciphered crop circles and are using the technology. Doug confirms this possibility, suggesting that such technology might already be in use.
Art Bell reflects on the profound impact of Doug Ruby’s revelations about crop circles. He likens Doug’s discovery to the protagonist in “Close Encounters of the Third Kind” who is driven to create models of Devil’s Tower. Art emphasizes that Doug’s insights have provided a clear understanding of crop circles as instructions for creating advanced technology. He predicts that this newfound knowledge will lead to significant research and advancements that could change many aspects of our lives.
Art reiterates his amazement that an airline pilot, of all people, was the one to unlock these mysteries, highlighting the serendipitous and unplanned nature of his radio show. He expresses confidence in Doug’s findings and their potential to influence future developments. Art also promotes the Coast Insider Club, allowing listeners to access past shows and special features.
As the show returns to Doug, Art mentions Debbie’s question about whether the government or anyone else already possesses the technology described in the crop circles. Doug confirms that it is likely already in possession by some, implying that there are others who understand and may be utilizing this technology.
Doug Ruby assures listeners that once he has fully understood the crop circle technology, he plans to release all the information to the public, emphasizing that this knowledge was never meant to be kept by one person. He acknowledges the potential danger in releasing such powerful information but believes it is what the creators of the crop circles intend.
A caller from North Hollywood, Lou, asks about the patterns of crop circles around Stonehenge and whether they follow any specific arrangement. Doug confirms that many crop circles form along ley lines—lines of energy that connect ancient megalithic sites in the area. These formations often align with magnetic north, emphasizing the interconnectedness of these ancient sites.
Lou also shares an anecdote about seeing a flying saucer model that resembled the Capitol Records building. Doug responds that while he is unfamiliar with that specific building, there are indeed people who have built and flown model saucers using magnetic principles. However, the energy Doug is discussing is more complex and variable, often interacting with the environment in unpredictable ways, similar to how the Levitron toy functions differently depending on atmospheric conditions.
Doug mentions his attempts to discuss the physics of crop circles with a physicist friend. While the physicist did not fully understand the energy source Doug described, they were able to reach some commonsense conclusions about the technology.
Doug Ruby discusses the necessity of making his discoveries public, stating that the information about the crop circles is meant for everyone, not just him. He plans to release all the details, even though it might be dangerous, as this aligns with the intentions of the beings who created the crop circles.
A caller, Lou, from North Hollywood, discusses how crop circles align with ley lines, which are lines of energy connecting ancient sites around Stonehenge. Lou also shares an anecdote about seeing a small flying saucer model, which Doug acknowledges as similar to other models he has seen, emphasizing the complexity of the energy involved.
Doug confirms that individuals have built and flown remote-controlled saucer models but faced severe warnings to cease their activities. He then addresses a question from Mark in Los Angeles, who asks about the increasing complexity of crop circles. Doug explains that the beings behind the crop circles are aware of his work and are likely pleased with his progress.
Art Bell predicts that Doug will soon receive requests from television programs for visual demonstrations of his findings, which Doug is willing to accommodate. Another caller from Honolulu, Hawaii, asks if Doug has used strobe lights or varying flash rates with his spinning models. Doug confirms he has and mentions that newer crop circles include harmonic details related to planetary energies, which he can measure using a strobe and halogen lights.
Art warns Doug about the potential threat to his career as his discoveries become more public and advises him to be cautious. They prepare to discuss this further after a break.
Art Bell receives a fax from a Ph.D. in San Diego involving complex physics, prompting Art to attempt bringing the physicist on air for a clearer explanation. The show resumes with Doug Ruby taking more calls. Kelly from Portland, Oregon, references a drawing of a wheel within a wheel, reminiscent of the biblical description in Ezekiel, and asks if this concept relates to Doug’s findings. Doug agrees, noting the connection to biblical references and other ancient texts describing similar machines.
Another caller highlights the timing of crop circle appearances and the substantial investment in high-energy discharge devices for space-based defense, suggesting a potential connection. The caller also mentions a bluish corona discharge observed in the ionosphere above crop circles, indicating high-powered microwave radiation, and references the involvement of black projects like the HAARP project.
Art asks Doug to address the possibility of crop circles being hoaxes, whether on a low level like Doug and Dave or on a high level involving military technology. Doug refutes the hoax theory, arguing that the intricate designs and the information conveyed are too complex for such explanations. He mentions Dr. Gerald Hawkins, who deciphered early formations and found musical notes within them, suggesting a deeper level of knowledge embedded in crop circles that mainstream media in the U.S. has largely ignored or dismissed.
Doug Ruby continues discussing the implications of his findings and their broader impact. He mentions that Dr. Gerald Hawkins deciphered musical notes from crop circles, suggesting that the intelligence behind these formations is far beyond human capability. Art Bell questions whether Doug can handle the attention his discoveries will bring, given his 30-year career as a pilot. Doug expresses confidence in managing both, noting the support from his company, but he is prepared to sacrifice his job if necessary due to the importance of this information.
Doug speculates on future events, mentioning potential upheavals around 2003 and significant changes by 2012. He touches on the idea of a shift to a fifth-dimensional existence, hinting at a broader cosmic plan but refrains from delving deeper into the topic.
A caller from Plainfield, Illinois, suggests a correlation between crop circles and the Roswell crash, referencing Major Jesse Marcel’s account of hieroglyphic-like marks on debris. Doug acknowledges the possibility but does not see a direct connection. Another caller from Arizona asks about Doug’s references to beings of light and their polite nature, seeking clarification on their presence and method of communication. Doug explains that while he hasn’t had direct contact, he receives information telepathically, often as a buzzing sensation at night.
Doug’s wife is also mentioned, with the caller inquiring how she has reconciled with his discoveries. Doug notes that she has had to come to terms with the significance of his work and the attention it brings.
Doug Ruby discusses the support he receives from his wife, describing her as his “little rock in the third dimension.” He explains that she helps keep him grounded while he delves into his complex research.
A caller jokes about Doug and Dave, the infamous crop circle hoaxers, but quickly asks if Doug has ever been abducted, to which Doug replies he has not. Another caller, Scott from Reno, admits to missing the first part of the show and feeling lost. Art suggests getting a tape of the show to fully grasp the information Doug has shared.
Robert from San Joaquin Valley suggests Doug was chosen for his role due to his unique experiences and knowledge. Doug recounts a powerful metaphysical experience from his childhood in Japan when he felt a profound energy of pure love enter and leave his body during a church service. This experience, he believes, might have been a significant moment leading to his current work.
Art Bell reiterates his belief in Doug’s discoveries and praises him for his work in deciphering crop circles. He concludes the show by thanking Doug and his wife for their contributions, acknowledging the importance of Doug’s findings, and promising future collaboration on sharing these insights with a broader audience.